The DiGA Project—Digitization of Gandhāran Artefacts – Part 2
In my last post, I discussed the DiGA project with two of its members – Dr Jessie Pons, project leader, … Continue reading The DiGA Project—Digitization of Gandhāran Artefacts – Part 2
In my last post, I discussed the DiGA project with two of its members – Dr Jessie Pons, project leader, … Continue reading The DiGA Project—Digitization of Gandhāran Artefacts – Part 2
In the field of Buddhist art, recent years have seen more and more digitization projects that center around the art … Continue reading The DiGA Project—Digitization of Gandhāran Artefacts: An Interview with Jessie Pons and Cristiano Moscatelli (Part 1)
When AI image generator services were opened to the public on the vast web in 2021, they quickly became viral … Continue reading AI, Machine Learning, and Neural Networks: Friends or Foes in the Historical Investigation?
In this post, I continue my exploration of digital reconstructions in Asian art historical practice. I virtually sat down for … Continue reading Digital Architecture in Dunhuang—and beyond: an interview with Dr Zhenru Zhou
Reconstruction has always been part of the practice of art historians, archaeologists, and artists. Even as far back as the … Continue reading Procreate and the power of visualization tools
After my recent deep dive into Toyo Bunko, in this post I will talk about another great digital tool for … Continue reading Old Maps Online: mapping sites and siting maps
As promised previously, in this post I am leading you in a deep dive into a major digital archive I … Continue reading The Toyo Bunko Archive: a source of joy and torment
When it comes to Buddhist studies, the number of online resources can feel very overwhelming – from the thousands of … Continue reading Digital resources for the study of Buddhist Art in Central Asia: a general overview